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The Greatest showman

Who Was the Greatest? Might he have been ...

  1. Morally or ethically challenged
  2. Known for the use of a tent for his shows
  3. A guest of the Queen of England
  4. An actor, a carny and an opportunist
  5. Poor in finance and business decision skills
  6. Of Mount Rushmore fame, but ultimately chose and was chosen for another Mountain


Willam Frederick "Buffalo Bill" Cody (pictured to the far right in the collage) matches all the preceding qualifiers and would be considered the Greatest Showman by many Goldenites.   At the end of July Buffalo Bill Days were once again celebrated.  Sadly a crowd favorite, the Mutton Bustin event (where children wearing helmets try to ride sheep), was cancelled due to liability and insurance concerns. Even in this cancellation there was no regard for the sheep who historically sport neither helmets nor kneepads while getting busted. Yet this disregard for animal wellbeing is commensurate with any recognition of the man who's moniker is emblamatic of his slaughter of over 4000 bison in less than two years. This atrocity was a collaborative plan that Cody and another William (Tecumseh Sherman ) came up with to solve the "Indian Problem" on the frontier.  Bill's career as a showman was formally ignited by his scalping of Yellow Hand. This warrior was portrayed as a frontier day CornPop, and William's hyperbolic dispatching of Yellow Hand became an act of glorified revenge for another morally and ethically challenged general and showman, George Armstrong Custer.


If one reads about the history of Buffalo Bill at his gravesite atop Lookout Mountain, many of his character flaws and moral shortcomings are ignored or whitewashed.  History has been abbreviated to that of a rendering Bill as a great showman. This whitewash was vexing until it was realized that in life, and certainly death, faith comforts with confidence that sins are not only whitewashed, but erased. The daily temptation to tally up the transgressions of others, or rank transgressions as if that has eternal relevance has been a personal struggle. It is reported that Cody had a change of spirit or perspective later in life. Maybe he not only realized the atrocities of his fame, but sought to educate others on the grievous loss that he once championed and brought to fruition. 


Though the citizens of Cody, Wyoming wanted Bill to be buried there, he altered his last wishes and asked to be buried a top Lookout Mountain just west of Golden. The timing of Bill's death in Denver (January 2017) meant his formal burial was almost six months later when it was much warmer. Until then, Bill was kept on ice in downtown Denver.


++++++++++++


BTW, and in case you are wondering, P.T. Barnum is the leftmost photo. He was a renown showman in his own right and had the first five qualifying points in common with Cody.  A 2017 film titled "The Greatest Showman" was based in some part on P.T. Barnum's life. P.T. reportedly stated "The noblest art is that of making others happy" and "You can fool most of the people most of the time." The movie may also have whitewashed some of his moral and ethical shortcomings, but it too infers Barnum had a favorable turn of character later in his career.    


The center photo in the above collage is the outlier. The photo's origin or occasion is unknown, but it is a brother's face that has been superimposed on an original frontier photo. This brother was in fact a good artist, an actor. From there similarities with either P.T. or Bill seem more remote, unless he hasn't been forthcoming about any visits with royalty. This brother might think the posted photo, especially in the context of a discussion of showman and frontier atrocities, more caviler than appropriate.


One closing note, at the end of July 2025 both Ozzy Osbourne and Hulk Hogan died. These showman were of a different era than Buffalo Bill, but their art like Bill's, was conjoined with hyperbole. The show became, and at times superseded the art.    

What is more personally memorable, the Artist or their art?

Gutzon Borglum: It's not the Art, but the Artist

In the early 1900's South Dakota was the State that no one ever visited.  An attraction, a spectacular work of art was proposed to encourage travelers to go through SD on their way to Yellowstone. The original proposal was to sculpt (not scalp) famous frontier individuals into the side of a mountain in the Black Hills.  One of those frontiersmen was to be Buffalo Bill. When Gutzon Borglum was retained to bring this vision to reality, he modified the proposal. US Presidents replaced the Frontier notables.  Based on visits to Mount Rushmore and his Scandinavian heritage Borglum was by default a memorable sculptor. Maybe he shouldn't be held in such esteem. The National Park service has summarized Borglum's life and artistic endeavors. Even in this whitewashed summary there are indications that Borglum wanted to receive more acclaim than his art. More detailed information on Borglum's life and specifically his work on Mount Rushmore is recorded in "The Sculptor's Funeral" podcasts hosted by Jason Arkles. In the kindest sense Borglum was a high maintenance creative genius. More unflattering, Gutzon may have been a certifiable megalomanic.  As memorable as Borglum's work is, the takeaway is it could have been so much more if it wasn't all about the artist.

Paul Granlund: It's not the Artist, but the Art

Though less renown as a sculptor, it is possible that Paul Granlund's art may someday surpass that of Borglum.  Granlund was likewise of Scandinavian heritage. While there are podcasts and books devoted to Borglum, such is not true for Granlund.  That said, the opportunity to personally meet the sculptor in his studio at Gustavus Adolphus was memorable. It was memorable about the man and artist; but even more so about the art. Paul Granlund was easy to be with, he was a generous teacher and welcoming host. Granlund's art, though bronze, seemed to live and move. It has spirit. The college has much of Granlund's work and there is a good summary in a brochure linked here. 


The pictured Granlund sculpture is titled "3-D Life Tree". Paul created several of these bronze statues in 1998. This photo was taken at Luther College in Decorah, Iowa. Our daughter was graduating from Luther on the day this photo was taken. This statue helped memorialize this special day.


Granlund's sculptures often seem to invert and amplify a perspective. His art explores something seemingly ordinary in a manner in which it is recognized as it truly is, extraordinary. Artistic themes around faith, family and nature come alive in his creations. His imaginative work is reminiscent of the writings of C.S. Lewis. 


What a blessing it is to be able to enjoy and celebrate Paul's art. It is creation that requires no show or hyperbole from the artist to be memorable. 

Other Granlund sculptures

St. Francis at Gustavus

    K.N.  - a young artist, occasionally a little high maintenance, w/ outstanding creative potential!

    September 2025

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